![]() ![]() If it is a real drum kit it will typically be either drummer or audience perspective in regards panning. Always keep in mind which drum perspective is desired. Next, do an initial panning of the drum elements. What is important here is to insure that everything is audible and somewhat balanced. If you have any concerns about your drum set up prior to mixing, refer to the following article ( How to Prepare Drum Tracks For Mixing ) Mix In Soloįirst, dial in an initial mix with the drums in solo. All routing, phase, and tuning issues have been sorted out, and parallel channels have been set up for compression, reverb, and any other effects we might desire along the way. They are labeled, colored, organized, grouped, sub-grouped, and their corresponding aux tracks and sub mixes are solo-safe. Preparationįirst, let’s assume the drum tracks are ready to mix. Regardless of genre, the following concepts can provide fundamental concepts to take your drums to the next level. However, the truth is that a variety of fundamental concepts will provide the tools to make your drums sing within a mix! This article aims to portray those essential drum-mixing concepts in a chronological fashion. ![]() This can make them a challenge for novices and professionals alike. Why? They are complex in nature, and they often cover the entire audible frequency spectrum. ![]() Drums and their overall aesthetic alone can easily make or break any mix. They drive an immense amount of feel and emotion to any given song without much melodic context. It is no secret that drums are the foundation of mixing across the majority of contemporary genres. ![]()
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